Albert Anker

1831-1910 Swiss Albert Anker Galleries During his studies, Anker produced a series of works with historical and biblical themes, including paintings of Luther and Calvin. Soon after returning to Ins, though, he turned to what would become his signature theme: the everyday life of people in rural communities. His paintings depict his fellow citizens in an unpretentious and plain manner, without idealising country life, but also without the critical examination of social conditions that can be found in the works of contemporaries such as Daumier, Courbet or Millet. Although Anker did paint occasional scenes with a social significance, such as visits by usurers or charlatans to the village, his affirmative and idealistic Christian world-view did not include an inclination to issue any sort of overt challenge. Also prominent in Anker's work are the more than 30 still lifes he created. They depict both rural and urban table settings in the tradition of Chardin, their realist solidity reflecting Anker's vision of a harmonic and stable world order. In addition, Anker created hundreds of commissioned watercolours and drawings, mostly portraits and illustrations, including for an edition of Jeremias Gotthelf's collected works. To provide for a steady income, Anker also decorated more than 500 faience plates for the Alsatian producer Theodore Deck. Anker was quick to reach his artistic objectives and never strayed from his chosen path. His works, though, exude a sense of conciliation and understanding as well as a calm trust in Swiss democracy; they are executed with great skill, providing brilliance to everyday scenes through subtle choices in colouring and lighting. Their parochial motives belie the open-mindedness towards contemporary European art and events that Anker's correspondence reflects.


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Albert Anker still life with wine and chestnuts oil


still life with wine and chestnuts
Painting ID::  56362
still life with wine and chestnuts
mk247 1897,oil on canvas,15.375x17.75 in,39x45 cm,private collection
   
   
     

Albert Anker Auf dem Ofen oil


Auf dem Ofen
Painting ID::  67705
Auf dem Ofen
1,062 X 819 pixels
1,062__X__819_pixels
   
   
     

Albert Anker Der Grossvater erzahlt eine Geschichte oil


Der Grossvater erzahlt eine Geschichte
Painting ID::  71823
Der Grossvater erzahlt eine Geschichte
Der Grossvater erzählt eine Geschichtex (oil on canvas)
   
   
     

Albert Anker Auf dem Ofen oil


Auf dem Ofen
Painting ID::  72617
Auf dem Ofen
Albert Anker: Auf dem Ofen, 1895 cjr
Albert_Anker:_Auf_dem_Ofen,_1895 cjr
   
   
     

Albert Anker Auf dem Ofen oil


Auf dem Ofen
Painting ID::  74374
Auf dem Ofen
Albert Anker: Auf dem Ofen, 1895 cyf
Albert_Anker:_Auf_dem_Ofen,_1895 cyf
   
   
     

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     Albert Anker
     1831-1910 Swiss Albert Anker Galleries During his studies, Anker produced a series of works with historical and biblical themes, including paintings of Luther and Calvin. Soon after returning to Ins, though, he turned to what would become his signature theme: the everyday life of people in rural communities. His paintings depict his fellow citizens in an unpretentious and plain manner, without idealising country life, but also without the critical examination of social conditions that can be found in the works of contemporaries such as Daumier, Courbet or Millet. Although Anker did paint occasional scenes with a social significance, such as visits by usurers or charlatans to the village, his affirmative and idealistic Christian world-view did not include an inclination to issue any sort of overt challenge. Also prominent in Anker's work are the more than 30 still lifes he created. They depict both rural and urban table settings in the tradition of Chardin, their realist solidity reflecting Anker's vision of a harmonic and stable world order. In addition, Anker created hundreds of commissioned watercolours and drawings, mostly portraits and illustrations, including for an edition of Jeremias Gotthelf's collected works. To provide for a steady income, Anker also decorated more than 500 faience plates for the Alsatian producer Theodore Deck. Anker was quick to reach his artistic objectives and never strayed from his chosen path. His works, though, exude a sense of conciliation and understanding as well as a calm trust in Swiss democracy; they are executed with great skill, providing brilliance to everyday scenes through subtle choices in colouring and lighting. Their parochial motives belie the open-mindedness towards contemporary European art and events that Anker's correspondence reflects.

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